Sundance Indigenous Film Tour

Monday, September 23rd, 2024

7:00 PM - 8:30 PM

Price: $10 General, $7 TCA Member, $9 Senior, $5 Youth & Student

Taos Center for the Arts

Sundance Indigenous Film Tour

MON, September 23, 7pm

Get Tickets Here

ABOUT

The 2024 Sundance Institute Indigenous Film Tour is a 83-minute theatrical program featuring eight short films from Indigenous filmmakers: four from the 2024 Sundance Film Festival program, three from the 2023 Sundance Film Festival and one short film from the 2005 Sundance Film Festival. Started in 2021 as a virtual presentation in conjunction with our friends at museums, Native cultural centers, and arthouse cinemas, the 2024 tour continues as an in-person exhibition with partnered screenings in June and the program available to rent from July 2024 to March 2025. The curated selection reflects a variety of Native stories and showcases inventive, original storytelling from indigenous artists previously supported by the Festival. Sundance Institute has a long history of supporting and launching talented Indigenous directors including Erica Tremblay, Taika Waititi, Blackhorse Lowe, Sterlin Harjo, Sky Hopinka, Caroline Monnet, Fox Maxy, and Shaandiin Tome. Support for screenings is provided by the Andrew W. Mellon Foundation.

The Institute’s commitment to supporting Indigenous artists is woven throughout its history; amplifying President and Founder Robert Redford’s original vision, the Institute has remained steadfast in supporting the voices of Indigenous artists. The Indigenous Program has built and sustained an Indigenous film circle, which now spans over five generations. The cycle of work begins by scouting for and identifying Indigenous artists, providing a year-round support system at Sundance Institute to get their work made and shown, and then bringing the filmmakers and their work back to Native lands. The Native Lab has been a vital part of supporting Indigenous filmmakers since 2009; and the Merata Mita fellowship, Graton fellowship and other programs offer further support to emerging Indigenous voices. Read more about the Sundance Institute’s Indigenous Program offerings here.

FILM INFORMATION

Bay of Herons / U.S.A. (Director: Jared James Lank) — Calling on the strength of his ancestors, a young Mi’kmaq man reflects on the pain of bearing witness to the destruction of his homelands. Fiction.

Winding Path / U.S.A. (Directors: Alexandra Lazarowich, Ross Kauffman, Producer: Robin Honan) — Eastern Shoshone MD-PhD student Jenna Murray spent summers on the Wind River Indian Reservation helping her grandfather anyway she could. When he suddenly dies, she must find a way to heal before realizing her dream of a life in medicine. Nonfiction.

Headdress / U.S.A. (Director, Screenwriter, and Producer: Taietsarón:sere ‘Tai’ Leclaire, Producer: David Spadora) — When an act of casual racism confronts a Queer Native man, he retreats into his mind to find the perfect clap back from various versions of his own identity.

Ekbeh / U.S.A. (Director: Mariah Eli Hernandez-Fitch) — While learning to make gumbo, the creator shares personal stories about their grandparents as a way to honor and preserve their Indigenous history and life. Nonfiction.

Baigal Nuur – Lake Baikal / Canada, Germany (Director, Screenwriter, and Producer: Alisi Telengut) — The formation of Lake Baikal in Siberia is reimagined, featuring the voice of a Buryat woman who can still recall some words in her endangered Buryat language (a Mongolian dialect). Animation.

Hawaiki / New Zealand (Director and Screenwriter: Nova Paul, Producer: Tara Riddell) — At the edge of the playground close to the forest, the children of Okiwi School made a refuge they call Hawaiki. Hawaiki has spiritual and metaphysical connections for Māori as the children create a space for their self-determination. Fiction.

Sunflower Siege Engine / U.S.A. (Director, Screenwriter, and Producer: Sky Hopinka) — Movements of resistance are collapsed and woven together, from reflections of one’s own body in the world today, to documentation of Alcatraz, the reclamation of Cahokia, and the repatriation of the ancestors. Fiction.

Goodnight Irene / U.S.A. (Director: Sterlin Harjo) — Three Seminole patients share some laughs and poignant truths as they wait for treatment at the local Indian hospital. Fiction.

 

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